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Various - It's A Punk Thing, You Wouldn't Understand download

Various - It's A Punk Thing, You Wouldn't Understand download Performer: Various
Title: It's A Punk Thing, You Wouldn't Understand
Style: Emo, Punk
Released: 1993
MP3 album: 1988 mb
FLAC album: 1236 mb
WMA album: 1956 mb
Rating: 4.4
Other formats: MP2 TTA AHX VQF DMF XM AA
Genre: Rock
Various - It's A Punk Thing, You Wouldn't Understand download

Tracklist Hide Credits

A1 Gauge Blank
Bass – Neil SandlerDrums – Ryan RapsysEngineer – Neal JensenGuitar, Vocals – Gub Conway*, Kevin J. FrankProducer – Gauge , Neal*
A2 The Bollweevils Talk
Recorded By – Chuck Uchida
A3 Smoking Popes Lets Hear It For Love
Bass – Matt CatererDrums – Mike FelumleeEngineer – Mass GiorginiGuitar – Eli CatererVocals, Guitar – Josh Caterer
A4 Cap'n Jazz Scary Kids Scaring Kids
Music By – Mike*, Sam*, Vic*Performer – Michael T. Kinsella*, Samuel T. Zurick*, Timothy J. Kinsella*, Victor J. Villareal*Recorded By – Neal JensenWords By – Tim*
B1 Friction Milt
Performer – Andy*, Bob*, Scott*Photography By [Photo] – Shortall*
B2 Screeching Weasel Celena
Engineer – Steve AlbiniLiner Notes – Ben*Producer – Eric Spicer, Jughead
B3 Heel Blu Zone
Engineer – Heel, Steve Jacula
B4 Angerhouse Complex

Companies, etc.

  • Recorded At – Sonic Iguana Studios
  • Recorded At – Attica Studios
  • Recorded At – Old Plank Sound Labs
  • Mastered At – Metropolis Mastering, Ltd


  • Cover [Front Cover Design] – Cyrus/No Radio Productions*


Lyric sheet included.

Screeching Weasel's "Celena" is spelled "Celina" on the back cover.
Cap'n Jazz's track is called "Scary Kids" on the back cover and "Scary Kids Scaring Kids" on the lyric sheet.

Many copies have the label's address crossed out with black marker. This was done after label owner Scott Broadhurst left Illinois for California.

Download Various - It's A Punk Thing, You Wouldn't Understand mp3 flac album
October 2008 marks the 15 year anniversary of the release of the It's a Punk Thing You Wouldn't Understand compilation. This by far was the crowning achievement of Shakefork's brief existence. For one thing it was the labels jump from 7" s to it's one and only 12" release. The other big thing was it bridged the gap between Shakefork and Victory which goes to to show some proof that the riff between the two camps had a lot to do with my own over inflated ego since by the time of it's release I had already left the Western Suburbs for greener pastures. Maybe Snott and Tony found a common bond in my lameness in turning my back on the whole scene. If they did then more power to them I am happy to play the part. When I listen to these tracks now after 15 years I seem to sense something lurking in the music. It crackles with a feeling of something big is about to happen like the first signs of a sprout after it cracks the seed and breaks through the ground on it's way to sky. It's total awesome knowing that most of the guys who played in these bands are still all involved in making music one way or another. I'd love to hear what you think of It's a Punk and it's place in the history of the Chicagoland scene.-RAY